Matthew mcconaughey saying alright alright alright movie

Great eras are often marked by a famous adage. For the Enlightenment Era, just after the Renaissance swept Europe, it was the axiom coined by Descartes: “Cogito, ergo sum” (“I think, therefore I am.”)

For the McConaissance, a period of rebirth for actor Matthew McConaughey, it was a more casual mantra: “Alright, alright, alright.”

McConaughey recited those three words in his acceptance speech at the 2014 Academy Awards for winning Best Actor. It marked the height of the McConaissance, with the actor appearing in critically-acclaimed projects such as “True Detective” and “Dallas Buyers Club,” the latter of which won him the Oscar.

Of course, the origin of the easy-going phrase predates the McConaissance, going back even before the McConaughey rom-com epoch. He first uttered his famous tagline in Richard Linklater’s 1993 coming-of-age film, “Dazed and Confused,” 25 years ago.

Also Read: 'Dazed and Confused' Turns 25: Why Parker Posey Knew Matthew McConaughey Would Be a Star

In 2014, McConaughey told television host George Stroumboulopoulos how the unscripted phrase came about during his “first scene ever on film.”  His character, David Wooderson, was a suave ladies man who only had a few lines in the film, but they survived as the most iconic ones.

McConaughey said director Richard Linklater brought him in for a last-minute shoot — the scene was at Top Notch, the fictional hamburger joint in the film, on a Friday night.

The actor said that just before filming the scene, he had been listening to a live recording of The Doors, and in between tracks, Jim Morrison repeated the word “alright” four times. This number became a template for McConaughey’s first lines shot on film.

Also Read: 'Dazed and Confused' Turns 25: Parker Posey Tells Us Why Film Set Had Perfect Hangout Vibe

A semi-important sidenote: Morrison actually says “alright” five times, but we can let it slide.

“So right before we’re about to go, I’m, like, ‘Well, what is Wooderson about?” McConaughey recounted.

“Man, he’s about four things: He’s about his car, he’s about getting high, he’s about rock n’ roll, and picking up chicks,” the actor said he thought to himself. “And I go, ‘I’m in my car, I’m high as a kite, I’m listening to rock ‘n’ roll… Action! And there’s the chick — alright, alright, alright. Three out of four.”

Also Read: 'Dazed and Confused' Stars: Where Are They Now? (Photos)

To break it down, McConaughey clarified that his triple “alright” referred to the three things his character already had — a car, music and a nice high. The last one, a girl he sees in the distance, is the missing fourth.

The line has since stuck with him, and it seems like he’s the only person who could earnestly burble the phrase — whether wearing a matted-down ’70s ‘do or a stark white tuxedo jacket — without making a fool of themselves. He closed out his aforementioned Oscars speech with it, slipped it into his 2014 Golden Globes speech, his 2014 Critics Choice Award speech, his 2014 Independent Spirit Awards Speech, and… you know what, someone already did the hard work for us and made a supercut of every “alright, alright, alright” they could find.

With "Last Flag Flying" arriving in theaters, we're taking on the not-so-simple task of ranking the movies of genre-hopping director Richard Linklater. The top titles on this list could rightfully be called modern classics, but every one of his films somehow evokes the heartfelt philosophy of his hypnotic "Waking Life": human interaction is the highest form of spiritual communion.20. "Bad News Bears" (2005)<br /> The 1976 original was a true product of its time, with an all-star lineup led by Walter Matthau and Tatum O'Neal, but this unnecessary remake just felt like it was trying too hard. By 2005, the sight of an aggressively un-PC Little League coach (Billy Bob Thornton) encouraging outrageous behavior in his young team seemed less subversive than sad.19. "Fast Food Nation" (2006)<br /> When truth is stranger than fiction, why turn it into fiction? Linklater admirably attempted to create a multi-course meal out of Eric Schlosser's bestselling book, but the movie's many threads felt disconnected and lacked the power of Schlosser's stomach-churning fast-food facts.18. "Last Flag Flying" (2017)<br /> An impressive cast (Steve Carell, Laurence Fishburne, Bryan Cranston) is ill-served in this stagy drama about weary Vietnam vets reuniting to reflect on their lives. Earnest, but underwhelming.17. "It's Impossible to Learn to Plow by Reading Books" (1988)<br /> Linklater's experimental debut is hard to find and tough to get into. But if you can track it down (try Criterion's "Slacker" set), it's a pretty cool precursor to the aesthetic and philosophical themes that still interest him. As the director wanders through life and the country, we're invited to tag along on the journey. Plotless, but hardly pointless.16. "Inning by Inning: A Portrait of a Coach" (2008)<br /> The title says it all: this doc about Linklater's friend Augie Garrido is a straightforward tribute to the former Texas Longhorns baseball coach. It doesn't transcend its focus, but it succeeds on its own terms and is worth a watch for anyone interested in the subject.15. "Everybody Wants Some!!" (2016)<br /> A boys-will-be-boys lark, in which a bunch of mostly-likeable unknowns play collegiate baseball stars in 1980. Without any truly standout moments, though, it ultimately comes across as a minor-league "Dazed and Confused."15. "Tape" (2001)<br /> A love it-or-hate it experience that will depend largely on your tolerance for being locked in a single room, in real time, with grandstanding frenemies Ethan Hawke and Robert Sean Leonard. Uma Thurman provides a necessary balance, and there's no doubt this one sticks with you afterwards.14. "Where'd You Go, Bernadette" (2019)Fans of Maria Semple's bestselling novel may find this adaptation a regrettably streamlined affair, heavily reliant on Cate Blanchett's star power to replace the literary stylings Linklater leaves behind. But those who arrive without any preconceptions will appreciate the assets of a modestly engaging and gently touching dramedy.13. "Me and Orson Welles" (2008)<br /> The "Me" is Zac Efron, as a wide-eyed young actor who stumbles into a major Broadway production in 1937. But if you see this nostalgic theatrical bauble, do it for the "Orson Welles," as played by Christian McKay with an unforgettable ferocity.12. "The Newton Boys" (1998)<br /> Linklater's understated Western is as easygoing as Matthew McConaughey's drawl. The payout isn't huge, but it's fun to follow the bank-robbing brothers (played by McConaughey, Ethan Hawke, Skeet Ulrich, and Vincent D'Onofrio) as they try not to behave too badly.11. "SubUrbia" (1996)<br /> Linklater has always been an actor's director, and it's undeniably entertaining to watch him deftly juggle differing personalities in this adaptation of Eric Bogosian's play about post-adolescent angst. Parker Posey, Steve Zahn, and Giovanni Ribisi are among the disillusioned twentysomethings with nowhere to go and nothing to do.10. "A Scanner Darkly" (2006)<br /> This trippy adaptation of a Philip K. Dick story revisits the innovative rotoscope animation of "Waking Life," but adds a lot more action. Keanu Reeves, Robert Downey Jr., Woody Harrelson, and Winona Ryder are among the apparent drug addicts in a nightmarish dystopia that constantly doubles back on itself. Of course, this is a Linklater movie, so the sci-fi set pieces are less Michael Bay than "My Dinner with Andre."9. "Waking Life" (2001)<br /> It's not for everyone, but it's definitely for Linklater fans. No movie he's made better encapsulates his themes than this inventively animated, existentialist rap session. Best watched in a college dorm room, late at night.8. "Bernie" (2011)<br /> This layered dark comedy provides an ideal showcase for Jack Black, as a beloved Texas mortician who shocks everyone by befriending an unpopular small-town widow (Shirley MacLaine). Of course, it's what happens later that really counts. A still-hidden gem, and well worth discovering.7. "School of Rock" (2003)<br /> If only all family films were actually this much fun for the whole family. Jack Black couldn't be more in his element, as a middle-school substitute who teaches his students how to rock, while learning a few lessons from them, too.6. "Slacker" (1991)<br /> Linklater's surreal calling card served as a mash note to the weirdness of his beloved Austin, an affectionate call-out on Gen-X self-absorption, and inspiration for a generation of indie filmmakers. A decisively specific time capsule that still feels insightful, original, and utterly relevant.5. "Dazed and Confused" (1993)<br /> You didn't have to graduate in 1976 to relate to the characters in this timeless celebration of adolescent madness. Whether you connect with the stoners, the jocks, the new kids, or the outcasts, there's no denying that Linklater perfectly captures the heady nightmare we call high school. The pitch-perfect cast includes newcomers Matthew McConaughey, Parker Posey, Ben Affleck, and a blink-and-you'll-miss-her Renee Zellweger.4. "Before Sunrise" (1995)<br /> Anyone who's ever fallen in love will relate to the pure exuberance of the first entry in Linklater's "Before" trilogy. It's in the surprise that suffuses Ethan Hawke's face, after he realizes he's experiencing something new. It's in the tentative joy behind Julie Delpy's eyes, as she wonders whether to trust in someone else. Even their irritating narcissism is indispensable; it's the honesty that makes these movies so essential in the first place.3. "Before Midnight" (2013)<br /> It's one thing to thrill to the exhilarating connection of new love. But will you also have the patience and courage to revive it once it fades? That's a tough question, and this is surely the toughest of the "Before" movies to watch. (Each was shot nine years after the last.) It's also the most incisive and -- depending on one's stage in life -- the most haunting, too.2. "Boyhood" (2014)<br /> It would be easy for a formally experimental filmmaker to prioritize style over substance. But Linklater succeeds on all fronts here, having filmed his cast over the course of a remarkable 12 years to capture the titular experience. (Thanks to poignant turns from Patricia Arquette and Ethan Hawke, the movie might just as aptly have been called "Parenthood.")1. "Before Sunset" (2004)<br /> It comes down to this: Has cinema ever given us a more substantive expression of romantic love than the "Before" trilogy? Julie Delpy and Ethan Hawke, Linklater's collaborative soul mates, find their purest connection here, in the brief but beautiful space between youthful naiveté and middle-aged cynicism. Throughout the movies' decades-long history, their intimacy and truthfulness have repeatedly served as the ultimate retort to Hollywood bombast.

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