Lyrics to meet me in the middle

It was seven hundred fencepost from your place to ours Neither one of us was old enough to drive a car Sometimes it was raining, sometimes it would shine

We wore out that gravel road between your house and mine I′d start walking your way You'd start walking mine We′d meet in the middle 'Neath that old Georgia pine We'd gain a lot of ground ′Cause we′d both give a little And their ain't no road to long When we meet in the middle It′s been seven years tomorrow since we said our vows Under that old pine tree, you ought to see it now Standing in the back yard reminding me and you If we don't see eye to eye, there′s something we can do I'd start walking your way You′d start walking mine We'd meet in the middle 'Neath that old Georgia pine We′d gain a lot of ground ′Cause we'd both give a little And their ain′t no road to long When we meet in the middle Babe, I love the way we work it out That's what love is about I′d start walking your way You'd start walking mine We′d meet in the middle 'Neath that old Georgia pine We'd gain a lot of ground ′Cause we′d both give a little And their ain't no road to long When we meet in the middle I′d start walking your way You'd start walking mine We′d meet in the middle 'Neath that old Georgia pine We′d gain a lot of ground 'Cause we'd both give a little Ain′t no road to long We meet in the middle I′d start walking your way You'd start walking mine We′d meet in the middle 'Neath that old Georgia pine We′d gain a lot of ground 'Cause we′d both give a little And their ain't no road to long When we meet in the middle

Jessie Ware - Meet Me In the Middle Lyrics

Meet me in the middle,
Tell me something
That could change my mind
I couldn't let it be known,
This it is every time I refuse to say goodbye.

Been away for so long,
But I'm dying just to find out!
What took you so long to come back around?
If I'd only been dreaming, you weren't always hiding
It took two to break us down,
Could you prove me wrong?
Could you prove me wrong?
Well, I had to be strong
Could you prove me wrong?
Could you prove me wrong?

It's a long road, but it's longer without you
And with each passing day,
I grow more uncertain
Been away for so long,
But I'm dying just to find out!
What took you so long to come back around?
If I'd only been dreaming, you weren't always hiding
It took two to break us down,
Could you prove me wrong?
Could you prove me wrong?
Well, I had to be strong
Could you prove me wrong?
Could you prove me wrong?

Meet me in the middle,
Tell me something
That could change my mind
I couldn't let it be known,
This it is every time I refuse to say goodbye
Meet me in the middle,
Tell me something
That could change my mind
I couldn't let it be known,
This it is every time I refuse to say goodbye
Meet me in the middle,
Tell me something
That could change my mind
I couldn't let it be known,
This it is every time I refuse to say goodbye

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This is merely an interpretation from a writer's perspective (a writer who specifically writes children's rhyme and often invents words poetically and understands using unexplained cultural lingo out of the necessity of remaining true to the settings of the otherworldly places he invents)... fahoo = the words "father" and "Who" smooshed together. Instead of saying "my dad raised me", if you were a Who you might instead (more formally) say "my fahoo raised me". fores = forest. Commonly disregarded merely as mock-latin meant to sound sing-songy (but otherwise meaningless). l, however, think of this one as how a foreign country's derivative of the French language's "la forét" (or English's "Forrest") might be re-spelled by a culture that has never heard the word used as a name before. Fahoo Fores = father of the forest. After considering how the song feels so much more like a hymn than a song, I wouldn't doubt that Fahoo Fores is, indeed, a religious moniker meant for guiltless referencing of The [mythological] Lorax (Seuss's titular tree spirit who literally introduces himself by saying that "[he] speak[s] for the trees") with the extreme reverence of not undermining his true name, "Lorax" in vain over usage (the way a song might) accidentally. Although, within a song about "Christmas" sung by Who's with plenty Who-morality, sure, but no directly equivocal "Who-Christ" of their own... my tendency is to compare Seuss's Fahoo Fores to our own universe's idea of our legend of Adam who grew up in a forest (of sorts). And yes, I do mean "The" Adam, of "The" Adam and Eve, from "The" Bible's Book of Genesis. dahoo = the words "daughter" and "Who" smooshed together. dores = gift. This one closely reminds me of the similar sounding Scottish name, Doris, meaning giving one, and Latin's near-match, Deloris, meaning sorrows. Dahoo Dores = fruit of the forest. This must be another given name of a widely known female Who among Whos (perhaps even a dahoo of The Lorax). Maybe there's a linguistic link to her specific relevance here; the materialistic imagery of Cindy Lou (the youngest dahoo of dahoos) wondering about the disappearance of her family's tree when she catches the grinch stuffing it up the chimney could be a clue. Maybe Dahoo Dores is The Whovian Eve (our bible's original sinner). She could also be either of Adam's daughters (who came after Cain and Abel; Awan or Azura). ramus = ruler. The German Raginmund that became English's Raymond is a name that means: mighty, protector and counselor. Fahoo Ramus = first mayor of Whoville. A renowned, trustworthy Who. I guess that he was the first noteworthy mayor of record-worthy Who-lore. damus = daring one. This one was tough. There's the Greek "Damaris" meaning dominant, the French "Damia" meaning untamed and the Hindi "Dakshayani" meaning competant. Dahoo Damus = the first mayor's daughter. She was most guessably a brave and noteworthy dahoo of Fahoo Ramus, memorable enough to make it into the final versions of "Welcome Christmas". Read more →